Café recently interviewed Patricia Park, who will join AU’s MFA faculty this fall– if we don’t lose her to the beguiling world of actuarial science. CA: What are you drawn to write about? PP: I write about minorities within minorities.
“Thank you for sending us ‘Zakkai, Father of Yochanan.’ While we read your work with interest, unfortunately, we decided it’s not quite right for Menacing Hedge at this time. Please keep in mind that just because this particular work cannot
Artomatic is a DC metro area institution. It calls itself an “artist-run, unjuried, multimedia arts temporary event that draws together visual and performing artists.” Basically, a huge group of artists commandeers a large space somewhere in the metro DC area and celebrates
On Global Science Fiction, an Aesthetic of Compression, and Long Form: a Conversation with Mohsin Hamid
Mohsin Hamid is a busy man these days. The author of Moth Smoke (2000), The Reluctant Fundamentalist (2007), and most recently, How to Get Filthy Rich in Rising Asia (2013), Hamid’s award-winning fiction has been featured on bestseller lists, adapted
“Revision is love,” said George Saunders from the pulpit at the Church of the Reformation, across the street from the Library of Congress, after receiving the PEN/Malamud Award for excellence in the art of the short story. “It’s a means
Justin Torres’ debut novel, We the Animals, won the 2012 VCU Cabell First Novelist Award and was a finalist for both a 2012 Indies Choice Book Award and an NAACP Image Award. Of his novel, Marilynne Robinson writes: “In language brilliant,